The best way to know the self is feeling oneself at the moments of reckoning. The feeling of being alone, just with your senses, may lead you to think more consciously. More and more of such moments may sensitize ‘you towards you’, towards others. We become regular with introspection and retrospection. We get ‘the’ gradual connect to the higher self we may name Spirituality or God or just a Humane Conscious. We tend to get a rhythm again in life. We need to learn the art of being lonely in crowd while being part of the crowd. A multitude of loneliness in mosaic of relations! One needs to feel it severally, with conscience, before making it a way of life. One needs to live several such lonely moments. One needs to live severallyalone.
Friday, 18 August 2017
Thursday, 17 August 2017
Wednesday, 16 August 2017
AFTER SYED SALAHUDDIN, NOW HIS OUTFIT PROSCRIBED, THE US IS FINALLY COMING OUT OF ITS ‘GOOD AND BAD TERRORISTS’ MINDSET
Tuesday, 15 August 2017
Monday, 14 August 2017
Sunday, 13 August 2017
Well, The Mummy of the previous generation was a bad movie series. It could work commercially because humour was an important part of this storytelling that the world is quite familiar with, palaces, kings, queens, princes, princesses, paramours, conspiracies, killings, tombs, mummies and pryramids.
And the natural inevitability – that how far can you go with a tellingly thin narrative – that any mummy is basically identified with Egypt’s Pyramids and some Egyptian royalty because of the controversial history surrounding them – so, a standalone chapter, or at best two can justify their arrival if they are given some good treatment. Even The Mummy’s previous incarnation had to look for other extensions beyond Egypt to keep the franchise lubricated beyond two but then it chose to suspend the movement beyond one more.
The latest Mummy has come to life after 2008, when the last movie of the series was released. The three previous Mummies were basically horror comedies to say best or if we say conservatively, they were action-comedy flicks which didn’t need star power but the treatment that could pull the viewer to the theatre. They were time-pass flicks running high on computer generated special effects. They didn’t need acting credentials for expressions or starry adrenaline for action sequences.
They simply needed a one point linear narrative that how to keep the viewer engaged for 100 minutes by producing a cocktail of commercial cinematic specs like comedy mixed with horror, special effects, good looking canvases and known mythological monsters. They were meant to entertain somehow. They were never meant to excel.
True, it can be argued that Tom Cruise is an entertainer and excellence in filmmaking is a reserved phenomenon. But he is certainly an actor who cannot, at this stage of his career, be associated with films that are meant to entertain somehow. He is a name. He is a star power. He is among the selected few names who are used to sell films.
So, the big question is, what made Tom Cruise pick The Mummy 2017, a poor reboot that fails to create the effect of its mediocre but commercially successful predecessors, especially when the film has failed to create box office magic? Reports say the film generated only $400 million against its overall budget of $250 million. And critical reception, well its flooded with all kinds of negative witticisms – plain, convoluted, satirical, humorous and even comical.